Remove names, addresses, and identifying details, keep the problem, the constraint, the decision, and the outcome. Ask permission anyway where a client could recognise themselves.

The evidence you already have

Most small businesses complete dozens of jobs a year and publish none of them.

The reason given is usually confidentiality, and it is often genuine: the client is private, the work is sensitive, or the contract says nothing may be disclosed.

What gets missed is that the identity is rarely the persuasive part. A prospective customer is not reassured by a name they do not recognise. They are reassured by recognising their own situation in the problem you describe.

What actually convinces

Four things, none of which requires a name.

The situation, described specifically enough that somebody in the same position recognises it.

The constraint, which is what makes it a real job rather than an advertisement: the budget, the deadline, the thing that could not be moved.

The decision, meaning what you chose and what you rejected, which is where your judgement becomes visible.

And the outcome, stated honestly, including anything that did not go to plan.

What to remove

The last two are where anonymisation usually fails, because each detail seems harmless alone and identification works by combination.

The combination problem

Worth understanding properly, since it is the mistake that causes actual trouble.

A dental practice, in a named town, that expanded to a second location last spring, is one business, and anybody local can name it in about four seconds.

No single element identifies. Together they do.

The test to apply is not whether each detail is anonymous, but whether somebody who knows the sector locally could work it out from all of them. If they could, generalise one element: the region instead of the town, last year instead of last spring, or a healthcare practice instead of a dental one.

Generalise the element that matters least to the story, and keep the specificity where it does the persuading.

Ask anyway

Even when a write-up is genuinely anonymous, telling the client is usually the right call.

The person most likely to recognise the job is the person who commissioned it, and finding themselves described on a supplier's website without warning is a poor experience even when nothing is disclosed.

A short message describing what you would like to publish, offering to send the draft, and making it easy to decline takes five minutes.

Most say yes, a good number offer to be named after all, and the ones who decline have usually saved you from a problem you could not see.

Where a contract contains a confidentiality clause, read it rather than assuming, since some prohibit any reference at all and others only prohibit naming.

Keep the numbers, lose the identity

Anonymised write-ups drift toward vagueness, and vagueness removes the persuasion along with the identification.

A client in the manufacturing sector saw significant improvements in operational efficiency is anonymous and worthless.

A parts supplier with about forty staff cut their quote turnaround from three days to the same afternoon is equally anonymous and actually says something.

Specific numbers, timescales, and constraints are almost never what identifies. Names, places, and dates are. Strip the second group hard and keep the first group intact.

A worked example

A commercial security firm had a portfolio page reading, in full, that they had worked with clients across retail, hospitality, and industrial sectors.

Almost all their contracts prohibited naming, which they had understood as prohibiting description.

They wrote three anonymised jobs instead.

One described a retailer with eleven sites needing a single system across all of them, the constraint that three sites were in listed buildings, what they chose as a result, and what it cost per site as a range.

No name, no town, no dates.

Two prospects referenced that page specifically in their first call, both saying it was the first supplier material that had described a problem resembling theirs.

Both of their contracts had also prohibited naming, and neither had expected anything different.

Photographs need separate thought

Text can be anonymised carefully and images give away more than intended.

House numbers, street signs, vehicle plates, distinctive architecture, and anything visible through a window.

Documents, screens, and paperwork in the background, which frequently contain names in a size that is unreadable to you and perfectly readable when zoomed.

Detail shots solve most of this: close work rather than wide context, which is also usually the more interesting photograph.

Where the whole setting matters, permission is the answer rather than cropping, because a cropped image that still identifies is worse than an honest request.

Say when it went wrong

The most credible write-ups include the part that did not work.

A job where a material was unavailable and something had to be substituted, or where an assumption turned out to be wrong and cost two days.

This feels risky and reads as honest, because every reader who has commissioned anything knows projects deviate, and an account where nothing did is recognised as marketing.

Describe the deviation, what you did about it, and what it cost. That paragraph does more for trust than the rest of the page.

The counter-case

Sometimes anonymising is the wrong answer and you should simply not publish.

Where the client is identifiable no matter how much you strip, because the job was unusual enough that describing it at all identifies them.

Where the subject is genuinely sensitive: security arrangements, financial difficulty, a dispute, or anything a competitor could use against your client.

And where a contract prohibits reference entirely, in which case creativity about the wording is not a solution, it is a breach with extra steps.

The work is still evidence in those cases. It just belongs in a conversation rather than on a page.

The method

  1. Write it fully first, names and all.
  2. Strip names, addresses, and dates.
  3. Test the combination: could a local competitor identify them.
  4. Generalise the least important element until they could not.
  5. Keep every number and constraint.
  6. Check the photographs at full zoom.
  7. Tell the client and offer the draft.

Three of these a year is a portfolio, and none of them requires a single name.

Photographing private work is covered in detail shots when the whole job is private.


Frequently asked questions

Can I write about a job if the client cannot be named?

Usually yes. The identity is rarely what persuades. A prospect is convinced by recognising their own situation in the problem, constraint, decision, and outcome.

What should be removed from an anonymised write-up?

Names, addresses, exact dates, distinctive features in photographs, confidential figures, and the sector itself if it is small enough to narrow to a few businesses.

Why does anonymisation fail?

Because identification works by combination. Each detail seems harmless alone, but a sector, a town, and a timeframe together often identify one business.

Should I still ask permission?

Yes. The person most likely to recognise the job is the client who commissioned it, and finding themselves described without warning is a poor experience even when nothing is disclosed.

How do I keep it persuasive without names?

Keep the numbers, timescales, and constraints, which almost never identify. Strip names, places, and dates hard. Vagueness removes the persuasion along with the risk.

Should I include what went wrong?

Yes. Every reader who has commissioned work knows projects deviate, and an account where nothing did reads as marketing rather than as a record.

West Coast Media Solutions Inc. provides web design, web development, hosting, digital marketing, and business consulting to organisations across Canada, drawing on more than twenty-five years in the field.

Plenty of work you cannot name?

Write it up fully, strip the identity, keep every number. Three a year is a portfolio.

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